Dreaming while wondering how come we're running out of places to dream, to even just sleep.
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We code representations of our imagined bodies into cyberspaces and spend our time watching them. Hurtling through space like that, is restlessness any wonder? And so we dream… We dream meaning into the vortex. It makes sense, for aren't they a symbol of our agency? That endlessly fragile agency, the sense of which is mostly constructed, almost dreamt up. It seems our consciousness is fascinated by our own hands. I went to the woods today, Cause I couldn't dream anywhere I went to the woods today Cause I couldn't dream anywhere I went to the woods today But I couldn't sleep anyway Why? I couldn't take away the time. Website > sound & video created by Eden Mitsenmache PAL – 16:9 | 03:39 | from Rotterdam, Netherlands. She creates drawings, installations, sculptures and also the sculptures-performances CLOC.Į-mail: Eden Mitsenmacher - Couldn't Dream Anywhere, 2016 She studied art in the University Paris 1 and in Beaux-Arts in Rueil-Malmaison and in Rouen. They appear suddenly at the bend of alleys and other common nooks to renew and question our way of existing in the public space, of meeting the other, and cohabiting with him.Īnaïs Lelièvre lives in France, in Paris and in Marseille. Form of life hatching and becoming, CLOCS are also a matrix which create multiple reactions for passers.
These relational membranes, folded and unpredictable, adapt to varied situations, recreating each time a surprise.
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CLOCS are piles of used clothes, sewn to one another with elastic links, to the point of forming an enveloppe that bodies below wear as their skin and make alive. Website > CLOC is embodied by Amanda Billberg, Kae Ishimoto, Anaïs Lelièvre and Bastien Lemaître.ĬLOCS are sculptures in incessant metamorphoses, improvised performances which interact with all contexts, undefined beings who rediscover the world apart from established benchmarks. Anaïs Lelièvre - CLOC lava en Islande, 2016ĭVD HD 16:9 | 03:06 | from Paris, France. Intérprete: Andrés Gomis Sonidos grabados con un saxofón bajo marca Selmer Serie II. Es el viaje por un interior preservado, el recorrido por la oscura gruta de cuyos orificios surge la respiración, el aliento y el ruido." (Pilar Martín Gila) "Tracto es la imagen de un lugar inerte que, al ser tocado, se transforma en centro orgánico, confluencia de lo seco y lo húmedo, de lo perfecto y lo palpitante, de lo calculado y lo imprevisible. " (Pilar Martín Gila)Įndoscopia/ viaje por el interior de un saxofón bajo. Is a journey through an interior preserved, the path through the dark cave whose holes arises breathing, halite and noise. "Tract is the image of an inert place, which when touched, it becomes an organic center, a confluence of the dry and the moist, the perfect and the throbbing, the calculated and the unpredictable.
Sergio Blardony & Marta Azparren - Tracto, 2012Įndoscopy inside a bass saxophone. The term sound-videoArt pretends to give a new concept to the digitalized works in which sonorous-musical creativity and image in video are combined to generate a symbiosis that is shown as an audiovisual canvas in movement. ACTIVA - 2017 * international sound- v ideoAr tĮl término sound-videoArt pretende dar un nuevo concepto a las obras digitalizadas en las que se combina la creatividad sonora-musical y la imagen en video generando una simbiosis que se muestra como un lienzo audiovisual en movimiento.
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